Saturday, April 28, 2007
Tree Climbers
28" x 22" oil on canvas (unframed)
Based on a photo of my two children climbing an old tree. A few things about the painting (in case you were wondering). I did want the unfinished look. This was accomplished by using oil paint applied very transparently with lots of turp and stand oil. Yes, I also wanted the drips to stay, too. I was going for a sort of "anonimous" look, thus the lack of detail and features. This is a piece reflecting feeling and mood rather than technical skill. I hope I pulled it off successfully.
Thursday, April 26, 2007
Wednesday, April 25, 2007
Tuesday, April 24, 2007
Monday, April 23, 2007
Sunday, April 22, 2007
City Overview
15" x 11" watercolor on 140lb. Arches (unframed)
$15.95 (free shipping)
Been away for a few days due to digital camera probs. All OK now, I hope.
Thursday, April 19, 2007
Wednesday, April 18, 2007
Tuesday, April 17, 2007
Holiday Surprises
11" x 15" soft pastel on museum board (unframed)
$15.95 (free shipping)
A little out of season, but I enjoyed doing this one none the less. I work with soft pastels occassionally, and really like the intense color they display. I like to coat the support surface with a thin, even layer of pastel ground which adds tooth for the pastels layers to stick. If you like bold color, go and try soft pastels - they're great!
Monday, April 16, 2007
Gemini
30" x 22" gouache on 140lb. Arches (unframed)
$19.95 (free shipping)
I decided to do something on full-sized watercolor paper. This is a gouache (opaque watercolor) abstract of twin figures. My objective here was color and interesting shapes rather than portraying anything of realism. Working large can tend to be intimidating. My advice: use large brushes, very little water in the paint, and go for it!
Sunday, April 15, 2007
Saturday, April 14, 2007
Thursday, April 12, 2007
Wednesday, April 11, 2007
Behind the New WalMart (3-Steps)
I decided to post a little demo of developing a painting using a value plan. This picture is an acrylic block-in based on a three-level value sketch done on site. It shows a construction area behind a new shopping center. Lots of dirt piles and debris scattered around, with a truck ready to haul off some junk. The block-in is very simple - just black, white, and a mid-gray. Even being this simple, you can make out the large shapes and get a sense of what we're going after. No detail is needed, or desired at this stage.
Stage two is a posterized blocking of value and approximate local color of the scene. Again, the aim here is no detail, just blocking in the big shapes with value. I'm looking for the painting to "read" correctly here. It looks flat, but that's OK at this stage.
Stage three - Finalizing things.
Now that the value plan is established, it is now just a matter of mixing color and matching color to value shapes. I can be as creative as I wish at this point, as long as I hold to the values I mapped out in stages one and two. I hope this kind of shows you the way a painting can be planned and developed. Total time (including letting each stage dry) about 3 hours start to finish.
Tuesday, April 10, 2007
Monday, April 09, 2007
Sunday, April 08, 2007
Saturday, April 07, 2007
Friday, April 06, 2007
Tribute to Mom
Although Mother's Day is still about a month away, I saw this picture and just had to post it. The little guy is me at just a year old. Rosemarie (my dear mother) passed away in 2003, much too early I'm afraid. She was truly a wonderful person and a great mom. I think about her every day. This picture was taken on the beach by my father. My older brother is out somewhere playing on the beach, I'm sure. I miss you, Mom!
Thursday, April 05, 2007
Under the Bridge
12" x 12" oil on hardboard (unframed)
$19.95 (free shipping)
This is a plein air piece done under a highway overpass. Again, strong
Wednesday, April 04, 2007
Different Worlds
16" x 20" oil on canvas (unframed)
$45.00 (free shipping)
The final frontier! This piece was started by using black acrylic gesso. After sitting around for a few days, this scene then developed. Using the palette knife I applied impasto layers of oil paint to develop the planet shapes. The surface is heavily textured. I was happy with the way this one has "3D" qualities.
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